
Son Jour à elle
Frédéric Mermoud
Her family crowds around a photo booth to capture the occasion forever. But Chiara is not feeling very well, while her mother is determined to get a memorable portrait.

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The event
How do we construct the image we present of ourselves? From family portraits to beauty contests, from clothing as a space for creation to the affirmation of Black identities, four films explore our relationship with appearance. Through norms, staging and self-reinvention, fashion becomes a way to question the gaze of others — and our own.
The films

Frédéric Mermoud
Her family crowds around a photo booth to capture the occasion forever. But Chiara is not feeling very well, while her mother is determined to get a memorable portrait.

Rachel Daisy Ellis
Filmed entirely from the point of view of a four-year-old child, the film follows five young girls competing to be crowned Mini Miss Baby Brasil. It offers a unique glimpse into early childhood and children’s innate capacity for resistance in a world shaped by adult norms and desires.

Bastien Genoux
At 98, a mischievous gaze looks back on decades of creation: frescoes, mosaics and stained-glass works scattered across French-speaking Switzerland, paintings, clothing… a remarkable body of work that is still growing. As he says: “At my age, I mustn’t stop having fun!”

Diego Paulino
Between melanin and distant planets, “Negrum3” immerses us in the world of Black youth in São Paulo. A documentary about Blackness, otherness and the space-bound aspirations of the children of the diaspora.
Durée : 58’
The Le Renversé team facilitates a conversation with the audience around the questions raised by the programme.
Free entry · pay what you wish on the way out · 19h · 20h